Membaca Makna Kepahlawanan Founding Fathers Indonesia di Balik Desain Mata Uang Rp 100.000 Melalui Perspektif Semiotika Charles Sanders Peirce
Keywords:
makna kepahlawanan, founding fathers, desain mata uang, semiotika peirceAbstract
Penelitian ini bertujuan menganalisis dan menginterpretasikan makna di balik perkembangan representasi visual founding fathers pada mata uang Rp100.000 sebagai cerminan narasi nasional yang dominan. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan metode analisis semiotika Charles Sanders Peirce yang menekankan pada triadik tanda yaitu representamen, objek, dan interpretant serta klasifikasi tanda berupa ikon, indeks, dan simbol. Data primer berupa spesimen uang kertas Rp100.000 dari ketiga seri (1999, 2014, 2016) yang diperoleh melalui dokumentasi resmi Bank Indonesia. Data sekunder berupa dokumen Bank Indonesia, literatur sejarah, dan kajian desain visual. Teknik analisis data dilakukan melalui identifikasi elemen visual, analisis relasi tanda dengan teori Peirce, interpretasi makna denotatif dan konotatif, serta komparasi antar periode. Hasil penelitian menunjukkan bahwa susunan elemen visual diantaranya warna, ilustrasi atau gambar, tipografi yang khas membawakan makna simbolik terkait kepahlawanan Soekarno dan Hatta sebagai founding fathers Indonesia. Makna founding fathers mengalami transformasi dari masa ke masa yang mencerminkan pergeseran narasi nasional.
Kata Kunci: makna kepahlawanan, founding fathers, desain mata uang, semiotika Peirce, identitas nasional
Downloads
References
Anderson, B. (1991). Imagined communities: Reflections on the origin and spread of nationalism. Verso.
Atkin, A. (2013). Peirce's theory of signs. In E. N. Zalta (Ed.), The Stanford encyclopedia of philosophy. Stanford University. https://doi.org/10.4135/9781412950909.n372
Banindro, B. S. (2012). Kajian ikonografis bahasa rupa uang kertas Indonesia masa revolusi. DeKaVe, 1(3), 9-16.
Barthes, R. (1977). Image, music, text. Fontana Press.
Chandler, D. (2007). Semiotics: The basics (2nd ed.). Routledge.
Creswell, J. W. (2014). Research design: Qualitative, quantitative, and mixed methods approaches (4th ed.). SAGE Publications.
Eco, U. (1976). A theory of semiotics. Indiana University Press.
Elkins, J. (2003). Visual studies: A skeptical introduction. Routledge.
Ernawati, E., & Khotimah, K. (2025). Membaca makna di balik desain uang kertas rupiah emisi 2022: Kajian semiotika melalui perspektif Charles Sanders Peirce. Jurnal Desain Komunikasi Visual, 12(1), 564-590. https://doi.org/10.25124/demandia.v12i1.5847
Gilbert, E., & Helleiner, E. (1999). Nation-states and money: The past, present and future of national currencies. Routledge.
Halbwachs, M. (1992). On collective memory. University of Chicago Press.
Hall, S. (1997). Representation: Cultural representations and signifying practices. SAGE Publications.
Halim, B., & Yulius, Y. (2021). Kajian semiotika uang kertas rupiah emisi 2016. Jurnal Seni dan Desain, 8(2), 145-162. https://doi.org/10.25105/jsd.v8i2.9847
Helleiner, E. (1998). National currencies and national identities. American Behavioral Scientist, 41(10), 1409-1436. https://doi.org/10.1177/0002764298041010004
Hobsbawm, E., & Ranger, T. (1983). The invention of tradition. Cambridge University Press.
Hookway, C. (2012). The pragmatic maxim: Essays on Peirce and pragmatism. Oxford University Press.
Hymans, J. E. (2006). International patterns in national identity content: The case of Japanese banknote iconography. Journal of East Asian Studies, 5(2), 315-346. https://doi.org/10.1017/S1598240800001758
Kress, G., & van Leeuwen, T. (2006). Reading images: The grammar of visual design (2nd ed.). Routledge.
Lin, Y. X. (2025). The semiotic significance of monetary design in historical context. Clío Revista de Historia, Ciencias Humanas y Pensamiento Crítico, 5(10), 1453-1484. https://doi.org/10.5281/zenodo.14789456
Mitchell, W. J. T. (2005). What do pictures want? The lives and loves of images. University of Chicago Press.
Nora, P. (1989). Between memory and history: Les lieux de memoire. Representations, 26, 7-24. https://doi.org/10.2307/2928520
Peirce, C. S. (1931). Collected papers of Charles Sanders Peirce (Vol. 1-6). Harvard University Press.
Primasanthi, S., Nugrahani, F., & Suyanto, E. (2017). Kajian estetika, fungsi, dan makna uang kertas seri Teuku Umar dan Cut Nyak Din. DeKaVe, 11(2), 1-11.
Sturken, M., & Cartwright, L. (2001). Practices of looking: An introduction to visual culture. Oxford University Press.
Sudiani, Y. (2016). Analisis desain uang kertas pecahan seratus ribu rupiah. Jurnal Ekspresi Seni, 18(2), 324-332. https://doi.org/10.26887/ekse.v18i2.289
Sugiyono. (2019). Metode penelitian kuantitatif, kualitatif, dan R&D. Alfabeta.
Zelizer, V. A. (1994). The social meaning of money. Basic Books.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Wulan Eka Handayani, Muhammad Duta Komarudin (Author)
This work is licensed under a Creative Commons Attribution 4.0 International License.